LES MAINS – THE LABYRINTH SERIES
“Les Mains Blanches” and “Les Mains d’Argents” all 2020. Surreal resin hand sculptures created by Indira Cesarine in 2020. The artworks mount to the wall, and as featured in THE LABYRINTH exhibition, are holding flowers. I was inspired by Jean Cocteau’s iconic Surrealist film “Beauty and the Beast” (1946) for this series, which includes 10 pairs of hands in a variety of positions, most of which are casted from my own hands.
“I have been exploring themes of Surrealism in my work since my very first forays into photography back in the late 80’s. Experimental darkroom techniques such as solarization and double exposures have played an important part of my visual narrative, which also often employs nuances of fractured light. While studying for my degree in art history at Columbia University in Paris I became very interested in the history of Surrealism, and wrote a 30 page paper, “Surréalisme, Sexualité, et La Femme,” on the male gaze and misogyny of many of the original Surrealists. Presenting an empowering female perspective on images of women has always been an important part of my work. Explorations of female identity, sexuality, dreams and desires have been returning themes in my artwork since I first started creating. In the early 2000s, I expanded from the still frame and works on canvas and paper to moving images, with experimental filmmaking and video art. As my work has evolved, I have become inspired by creating 3 dimensional works in glass and steel that further propel my visual language. My sculptures explore themes of female identity, symbolism and experience, employing a technical emphasis on light and reflection, often combining figurative sculpture with neon or video display to further engage a multifaceted experience.
In several of my recent works featured in “THE LABYRINTH” I explore surreal techniques of “light painting” that were invented by Man Ray in 1937, which I have juxtaposed with dramatic chiaroscurist portraits of women in order to evoke an ethereal universe of light and energy. I also find myself returning to the visual language of flowers – as a representation of women’s sexuality, as well as emotional expression of love, forgiveness, sorrow, and hope. Throughout history, flowers have been ripe with symbolism, with each blossom or arrangement having different meanings. The language of flowers dates back many centuries, and they were often used to send secret messages to lovers. For me the flower can be alluring, mysterious, sensual and full of emotions that are difficult to express with words. There is also something intrinsically female about flower blossoms and their visual reference to a women’s body that resonates with me as an artist. It has been inspiring to bring together multiple aspects of my creative process into one exhibition, with “THE LABYRINTH” featuring many varied artistic mediums that become unified through the installation of the maze. I conceived of the maze concept for an exhibition and installation a few years ago after my father passed away. This exhibition is inspired by the maze of life, the power of human connection, emotion and experience – combined with the surreal nature of the unknown.”